
THE WESTENDER
January 29, 2009
Turning 30 is weird. It’s the year when your flames of youthful debauchery are supposed to suddenly transform into a solid mass of lukewarm maturity that would have been foreign to your 20-something self.
For Jimmy LaValle, however, being 30 is merely an extension of the person he’s been improving upon for the last 10 years, during which time he’s enjoyed a decade of quiet success as brainchild of the Album Leaf, a San Diego-based outfit he started as a solo project in 1998. Since then, the atmospheric, instrumental rock band has recorded four albums, opened for Sigur Ros on its first U.S. tour, and enjoyed the touring company of friends like the late, lamented American Analog Set.
Now, LaValle and his band members are getting ready to spend three weeks at Bear Creek Studios, a converted barn in Washington, D.C., to record their fifth album, preceded by four West Coast live dates (with lucky Vancouver as the sole Canadian stop). Before hunkering down, WE caught up with LaValle over the phone from his San Diego home.
You started the Album Leaf when you were only 20. In the early days of the band, how did you balance making music and making a living?
It was three jobs for four months, and then I would quit those three jobs and go out and tour for three or four months. Then I’d come back and start the cycle again. I did sound at a venue here [in San Diego] for many years, called the Casbah, and I was a manager at a restaurant delivery service. I haven’t worked another job for probably the last five or six years. At first, it was purely by choice, just deciding to live on the road and live by touring a lot. In the last three or four years, I’ve actually made a living.
You also had a full-time stint producing jingles for TV commercials. What was that like?
At first, it was really exciting, because I thought, “Wow, I’ve got a job, a 9-to-5 job, doing music all day.” But it was kind of a pain in the ass, because... you had to be creative to what the client wanted. So many commercials are obviously ripped off of another band. I had to do that a lot — like, blatantly rip off Foo Fighters. It wasn’t hard to do, but it was miserable. But I did record One Day I’ll Be On Time [the Album Leaf’s 2001 sophomore album] during that time, so I guess something came out of it.
Is the instrumental quality of your music able to say more than vocally-driven outfits?
I always think so. Lyrics have kind of an obvious meaning. With instrumental [music], there’s really no ground or no rules for what is being expressed. There’s obvious meanings to me for my songs, but that isn’t what necessarily should be interpreted by other people.
How do you feel about your music being played on TV shows like The OC?
It’s something I’ve gotten a lot of grief about, but in this day and age, and the way that the world works, you have to make a living. Money has to come from somewhere, and I don’t make money touring. When [my music is] used [in TV shows], it’s background, it’s a mood-setter, and it usually gets what they want to have done. (laughs) It’s a cheesy show, I know.
What are your plans for the upcoming album?
My intentions for it is to have it be more like a band vibe than a one-guy vibe. I think [my albums] have had a one-guy vibe before, but when I listen, I think, “Whoa, that’s me times 10!” I’m trying to create something new and different than what was done before, and keep the interest going.






